Here Vargas is lit by the halo of light, appropriate as he now finds himself a sort of guardian angel of the accused Sanchez.
The final composition I got to was this last battle for Sanchez. While he remains a small figure dwarfed by Quinlan and Vargas, it is Vargas who takes more of the space and remains strong, Quinlan draws away a little, perhaps revealing his guilt, having already planted the incriminating dynamite in the bathroom at the very beginning of the scene.
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